E L T E A T R O Y L A C R U E L D A D. Se ha perdido u n a idea del teatro. Y mientras el teatro se l i m i t e a m o s t r a r n o s e s c e n a s √≠ntimas. Antoine Marie Joseph Artaud, better known as Antonin Artaud was a French dramatist, poet, .. during Artaud’s confinement at the psychiatric hospital in Rodez; the play was first performed in at the Teatro a Trastavere in Rome. Antonin Artaud: la crueldad y la cosa teatral. Appears In. Kanina, v, no.1, Jan-June, p(8) (ISSN: ). Author. Rodriguez Jimenez, Leda.

Author: Faujora Brataur
Country: Nigeria
Language: English (Spanish)
Genre: Personal Growth
Published (Last): 15 January 2008
Pages: 136
PDF File Size: 18.55 Mb
ePub File Size: 4.21 Mb
ISBN: 706-9-99691-883-1
Downloads: 78941
Price: Free* [*Free Regsitration Required]
Uploader: Takasa

He believed that text had been a tyrant over meaning, and advocated, instead, for a theatre made up of a unique language, halfway between thought and gesture.

Antonin Artaud

Extreme fluctuations in pace, pitch, and tone heighten sensory awareness intensify Finally, Artaud used the term to describe his philosophical views, which will be outlined in laa following section. He was discharged due to addiction to laudanum artaus mental instability. In his seminars, Dullin strongly emphasized that his actors must “see before describing, hear before answering From Wikipedia, the free encyclopedia. He was arrested and put in a straitjacket. As a result, Fernand Pouey, the director of dramatic and literary broadcasts for French radio, assembled a panel to consider the broadcast of Pour en Finir avec le Jugement de dieu.

At the time the disease had no cure, but after a long struggle including a comatose period, a severely weakened Antonin survived.

For Artaud, this was cruelsad cruel, yet necessary act upon the spectator, designed to shock them out of their complacency:. While Shelley’s version of The Cenci conveyed the motivations and anguish of the Cenci’s daughter Beatrice with her father through monologues, Artaud was le more concerned with conveying the menacing nature of the Cenci’s presence and the reverberations of their incest relationship though physical discordance, as if an invisible “force-field” surrounded them.


Das Theater und sein Double in German.

Artaud would return to opiates later in life. He denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense artaue violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis Their leader Luis Alberto Spinetta wrote the lyrics partly basing them on Artaud’s writings.

Dullin recorded an exercise he gave to Artaud in which he was to mime his struggle against the currents of a river.

Antonin Artaud y el teatro de la crueldad en Cuba | Latin American Theatre Review

The performance was prohibited partially as a result of its scatologicalanti-Americanand anti-religious references and pronouncements, but also because of its general randomness, with a cacophony of xylophonic sounds mixed with various percussive elements. In Maythe director of the sanatorium prescribed laudanum crusldad Artaud, precipitating a lifelong addiction to that and other opiates. The predominance of action over reflection accelerates the development of events Artaud sought to remove aesthetic distancebringing the audience into direct artqud with the dangers of life.


To him, reality appeared to be a consensus, the same consensus the audience accepts when they enter a theatre to see a play and, for a time, pretend that what they are seeing is real. He died shortly afterwards on 4 Marchalone in a psychiatric clinic, at the foot of his bed, clutching his shoe. In MarchArtaud moved to Paris to pursue a career as a writer against his father’s wishes [3] and instead discovered he had a talent for avant-garde theatre.

Artaud’s Apprenticeship in Theatre”. Theatre directorpoetactorartistessayist. Words were an insufficient medium of expression.

Taetro deserted his last supply of the drug at a mountainside, he literally had to be hoisted onto his horse and soon resembled, in his words, “a giant, inflamed gum”. Artaud also recorded his horrific withdrawal from heroin upon entering the land of the Tarahumaras.

First, it is employed metaphorically to describe the essence of human existence. Yet Grusomhetens Teater is the lq and only troupe in the world dedicated completely to Artaud’s principles of theater.

The Theatre of Cruelty aimed to hurl the spectator into the centre of the action, forcing them to engage with the performance on an instinctive level. Retrieved 9 October Retrieved 12 April The content of this work closely resembles the poems of his later days, concerned primarily with the supernatural.